I see this exhibition, which I will only be able to see by means of its representation in images from cyberspace, as a tangible sign of the distorted relationship we have the technologies which both bind and isolate us. A the very time we see this massive increase in invisible wave and electromagnetic fields filling all the available space we are made aware by microbiologists that we were always surrounded by fields of the microbial clouds that make up our atmosphere and the rhizosphere below it and permeate our bodies and all the objects that make up the biosphere. Ironically both these large scale urban electromagnetic fields and our fossil fuel activities, themselves the results of ancient sunlight stored by living organisms, have polluted and killed off incomprehensible numbers of the very microbes we depend on for our livelihood in the soils and atmosphere and in our bodies (seeInteractivos? Garage Astrobiology – Microbes and EMF.
Maybe it is time we became aware of this relationship – is it in fact not more important of our survival than these transient communication waves – after all when we examine what is being transmitted how much of it has any real value. In the words of Frank Zappa talking about Television : “I may be vile and pernicious , but you can’t look away! Don’t touch that dial folks, I’m the slime oozing out of your TV set,”
I s this what these fields contain and imply – our serfdom to the consumption system – or our empowerment to resist and reform it?
We inhabit intangible territories. The networks of invisible infrastructures which surrounds our world are extensive and growing day by day. In this context, Invisible Fields explores how the understanding of our world and our cosmos has been transformed by the study of radio waves. For a better understanding of this concept, José Luis de Vicente and Honor Harger have curated the exhibition starting with the invention of telecommunication technology at the end of the 19th century, and explaining how the radio spectrum became a tool for rethinking the world we live in. A world within an enigmatic landscape where there’s no geographical distance and is based on technologies of information and communication.
On this context of enigmatic topologies which has been there for more than a century, the projects presented at this exhibition simply makes visible the territories created by invisible waves. As Lucy Bullivant pointed in 2005 :
“Electromagnetic space—also called Hertzian space—is physical and nonvirtual. It consists of a ghostly poetic ecology that exists just beyond our familiar perceptual limits.”