I have for many years admired the gardens and landscapes of Chilean Landscape Architect, Juan Grim. This has largely been from a few images in magazines and books, so I was very pleased this morning to read an interview with him by Lucy Munro on the PLANTHUNTER Here are a few excerpts and pics to wet your appetite to read more.
“On the coast of Los Villos in Chile, a garden balances on the edge of a clifftop, limbs of wandering shrubs crawling over the rock face towards the depths of the Pacific Ocean below. The architect of the seaside shelter, Juan Grimm, can be found hidden within the many pockets of the garden, experimenting with unusual plant combinations or admiring a newly sprouted shrub whose seed arrived on the wind. His enduring wonder for the minutiae of the natural world is one of the many reasons Juan Grimm is considered South America’s most outstanding landscape designer. With a career spanning over thirty years and a design portfolio that includes nearly a thousand hectares of public and private gardens across Argentina, Peru, Uruguay and Chile, Juan is the master of creating natural spaces in harmony with the richly diverse landscape of South America.”
After thirty years of creating public and private gardens across Argentina, Peru, Uruguay and your home country, Chile, what keeps you excited about landscape design? When I first began designing and building gardens, I thought about how they would develop over time. Due to the little knowledge of botany and gardening that I had then, I worked with great intuition, without being very clear about the final results; I wanted the years to pass quickly, to see the newly planted trees mature. Today, after thirty-five years of experience, and with the privilege of having seen so many of these trees develop and grow old, I am deeply motivated to continue to create public or private green spaces; knowing that these places will endure over time for the use and enjoyment of future generations.
What does a typical day in the life of Juan Grimm look like? The vast majority of my days are dedicated to garden design; projecting and drawing in my studio, with the advice of the team that accompanies me. Another important element of the day happens in the field – supervising and distributing plants in the gardens that are in the execution stage; work that is fundamental for me because on the site, many things are decided that are impossible to resolve during the planning stage. It is in these moments that the garden begins to take on a life of its own. On weekends, I spend my time in my house on the coast, enjoying the landscape and the garden; I never finish intervening.
Can you please tell us a little about your life growing up and how this influenced the person you are today? My childhood was always closely linked to contact with nature; family summers on the coast were repeated for several years.
My connection with the sea – the infinite space, the rocks and the vegetation that appears very delicately from the coastal edge towards the interior – was a very important experience in the direction that my professional life would take.”
Initially, you trained as an architect. What prompted the change to landscape and why? My training as an architect was essential to recognize my passion for nature. There was no event that determined a change; rather, my architectural student projects always involved the landscape. Once I graduated, I had the opportunity to present a project to the first Biennial of Young Architecture. The proposal was the design of a park and an urban structure strongly affiliated with each other. I won first prize at the Biennial, and this confirmed to me that my path was in landscape design.
What is your design philosophy? I consider that there are interesting and fundamental concepts for the good design of a garden; notions that I seek to incorporate in my work, and whose presence will become evident as the garden grows and the projected space acquires form and volume. Movement, exuberance, infinity, sustainability and mystery.
One distinctive feature of your style is your choice to design primarily with native plants, or plants you have grown from seed. What is the thought process behind this? Native vegetation, anywhere in the world, is the vegetation that best adapts to the demands of the climate and other characteristics necessary for its optimal development. There are times when a project is located in a place where there are no nurseries available to acquire these plants. This was the case of the Tambo del Inca Hotel Project, located in the Sacred Valley of the Incas, in Urubamba, Peru, where we went to the mountains to collect seeds from trees and shrubs, which were then grow in our own nurseries. Today those trees have already reached full maturity, and the garden is a reflection of the intimate landscape of the gorges of the Sacred Valley.
Global warming, and the climatic changes that our planet faces, makes it imperative that landscape gardeners increasingly use native vegetation, because with their high efficiency in adaptation and prosperity, they ensure the best energy economy in a garden, with optimal results.”
While many of us landscape architects and the other technologists affiliated to our profusion believe that the discipline of landscape architecture holds the key to improving man’s poor record of environmental and social justice, and that landscape itself is of greater value and worth that society places on it i.e. the value of public space and public landscapes to society for mental and physical health, recreation values and ecological services provided by urban green space as well as the economic benefits accruing to property owners adjacent to high quality green spaces, the money to fund these projects and to pay for the services of the providers of them, is sadly for the most part, not forthcoming. This appears to true no only here in Africa, but as a recent essay in ASLA Landscape Architecture Magazine by Brian Barth documents is the case in the USA as well and is likely a global problem.
As I commented in a previous post Design and the Future of Landscape Architecture, this very relevant to the current educational and work crisis that Landscape Architecture faces in South Africa and many other parts the world:
These excepts from are from the MAY 2019 issue of LANDSCAPE ARCHITECTURE MAGAZINE and the full essay can be read there.
“In many respects, we’ve entered a golden era of landscape architecture. The profession’s profile appears to be on the rise, as environmental crises become more urgent and unavoidable and landscape architects increasingly take on lead roles in major projects. Interest in stormwater management, habitat restoration, and the public realm has expanded dramatically in recent decades, driving demand for landscape architecture services. The industry took a hit during the Great Recession, but since 2012, the American Society of Landscape Architects’ quarterly survey of firms (which tracks billable hours, inquiries for new work, and hiring trends) has found consistently robust growth.
One would expect new recruits to flock to the profession thus. But this is not the case. The number of people working in the field of landscape architecture peaked at around 45,000 in 2006, then nose-dived to about 30,000 in 2013. The post-recession boost in demand for services, though welcome, did not translate into warm bodies at the office. By 2016, the most recent year for which Bureau of Labour Statistics data is available, landscape architecture employment had dropped below 25,000.
Student enrolment in landscape architecture programs has followed a similar trend, says Mark Boyer, FASLA, a former president of the Council of Educators in Landscape Architecture who is currently the head of the landscape architecture program at Louisiana State University. “Things started looking bad in 2009, and by 2012, there was no program in the country that wasn’t off by half in their enrolment.” Collection of enrolment numbers at a national level was inconsistent during that period, but ASLA data shows that from 2013 to 2017, enrolment in bachelor of landscape architecture (BLA) programs declined an additional 15 percent. Enrolment of master of landscape architecture (MLA) students remained flat from 2013 to 2017, though the number of domestic MLA students slid by 16 percent, with the balance made up by an influx of international students.
Stephanie Rolley, FASLA, the head of the landscape architecture program at Kansas State University, says the gap between the demand for services and the supply of designers predates the recession. “We knew at least 15 years ago that we were not filling the positions of retiring landscape architects, so we’ve seen it coming. We just don’t have enough people to fill the slots.”
So what is it blocking prospective students from seeing the value of a degree in landscape architecture?
One way to assess the psychology of career choices is simple arithmetic: the cost of a degree divided by the income-earning potential it provides. In other words, the return on investment, or ROI, a person can expect from an education.
While there are many ways to crunch those numbers, and innumerable variables based on personal circumstances, student debt and median income are the most readily available apples-to-apples data for comparing education ROI across professions. According to Design Intelligence, the average MLA student leaves school with $39,284 in student loan debt. Median pay for landscape architects, according to the Bureau of Labour Statistics, is about $65,760 per year, for a 1.67 ratio of income to debt. For architects, the ratio of median income to graduate student debt is slightly better at 1.72; interior designers have it slightly worse at 1.32. I was unable to find student debt data for planners, though employment in the planning field is expected to grow 13 percent by 2026 compared to 2016 levels, about twice the rate of landscape architecture. Architects have the highest average income of the four professions (more than $78,000), but a low projected growth rate of 4 percent.
Those numbers provide little indication that allied professions are the culprit in siphoning off would-be landscape architects. Those fields are also haemorrhaging students: Graduate student enrolment in architecture and planning programs fell by 10 and 11 percent, respectively, from 2013 to 2016.
A more likely culprit is the information technology (IT) industry, in which the median pay is $84,580, and some specialties pay upward of six figures. Unlike law and medicine, which offer high income-earning potential but come with proportionally higher tuition, careers in tech are unlikely to incur greater education costs than the design professions, leading to a high ROI ratio. And for the entrepreneurially minded, the seven-, eight-, nine-, and 10-figure potential of tech executives dwarfs that of design firm owners.
While landscape architecture lost a third of its workforce during the recession, the tech industry barely registered a blip. Since then, tech has continued its march to world domination, or at least domination of the campus career office. A 2018 analysis by CompTIA, a tech industry professional association, found that IT job postings were up 30 percent from the previous year, with astronomical growth in some specialties: in artificial intelligence, 149 percent, and 370 percent for blockchain positions.
For the rare breed who pursues a career in landscape architecture, money is clearly not the driving force. But even students in mission-driven professions can be smart about maximizing their ROI.”
Kristopher Pritchard, ASLA’s director of accreditation and education, sees other changes on the horizon, albeit less charged ones, that the profession has little choice but to adapt to.
The growth of online education has added a wrinkle to students’ choices, for example, with implications for both tangible and intangible value. Online courses tend to be cheaper per credit hour (though not always); you won’t incur moving costs upon enrolling; the cost of rent is not a factor in school choice; and class time is flexible, making it more feasible to hold a regular job, or raise a family, while earning a degree.
Pritchard says that some landscape architecture programs now offer certain courses in an online format. He’s heard from several schools who are considering a fully online landscape architecture degree program, but only one, the Academy of Art University in San Francisco, has done so to date (bachelor’s and master’s degrees are available). The Landscape Architectural Accreditation Board approved accreditation standards revisions to allow online programs a path into the accrediting process last year, though as of this writing the Academy of Art University has not pursued accreditation, which is required for licensure in some states.
Whether an online degree becomes accredited or not, it’s fair to question its value in a profession rooted in collaborative studio culture. But in Pritchard’s view, educators will have to find a way to make it work. “Online education is growing exponentially, and if we don’t keep up with that, we’re going to be left in the dark,” he says. “I get a lot of calls about online degrees from people interested in studying landscape architecture, but they’re working or have children, or some other reason prevents them from moving to a place with a program. So there seems to be a need out there among people wanting to get a landscape architecture education, but not in the way it’s currently structured.”
Pritchard points to another potential disruption down the road: Landscape architecture could one day be a master’s degree-only profession. “There’s a question floating around about whether that’s where we are headed,” he says, noting that while BLA enrollment has dipped, MLA enrollment has been steady enough to encourage three new programs to open since 2013. But that steadiness rests on the fact that 41 percent of MLA students now come from other countries, mainly from China (see “ICEd Out,” LAM, February). Pritchard worries that trend may not continue indefinitely. “We’re looking at what’s going to happen to those programs if fewer international students enroll, because of visa issues or whether they’ll even be allowed to come because of their nationality…or whether they’ll even want to come here based on some of the politics that are happening right now.”
Would a greater emphasis on high tech help siphon prospective students from the IT orbit? Pritchard thinks it wouldn’t hurt. He occasionally hears from students who complain that their professors seem to be stuck in the Stone Age. But ultimately, the problem lies in where society places value, not in the actual worth of the profession. To avoid being left behind in a fast-paced world, landscape architects have to get better at selling their brand, demonstrating that the future lies not in the next great gadget but in healthy ecosystems, healthy cities, and healthy people.
“I think that our profession has not adequately explained what we do and generated public understanding of how landscape architects’ work impacts quality of life for people,” Rolley says. “It’s something there’s been a lot of talk about, but not enough action.”
I herewith repost eh response ot he is article form Tricia to this article _ it makes lot of sense to me :
I humbly offer a comment to this story. My intention is to offer a different point of view and a possible solution or two. I have done a bit of research and from my own experience in LA school – studio needs to be re-imaginated. Those classes were my biggest expense and sorry to say I got very little knowledge from it. Yes, part of the issue with LA schools is the expense. Why is it so expensive? Studio. And it’s not just LA but Architecture and Interior Architecture studios as well. Personally, I was surprised by the teaching methodology for teaching students how to do a project. I can only speak for my school. There was no teaching actually. It was students attempting to teach each other and critique each other’s projects instead of the instructor. Sometimes we got feedback from the instructor – but rarely. All of the time students we just given examples and then told to go figure it out with no reference material and no instruction. Our only option was to find and watch YouTube videos to learn software and graphics. I did my homework. The book “Landscape Architecture Research: Inquiry, Strategy, Design” by Deming and Swaffield describes this teaching method as a process. huh?? What !?? Okay for the record, since the LA schools were inviting people from different majors to go to their graduate schools and “bring their ideas”. Be careful… I have a few. First of all, I whole hardly disagree with this teaching method. To date, I have not found good scientific studies in the Psychology of Learning journals to back this up. None. And secondly, this was just blind leading the blind and no one was (actually, even though we all pretended to smile) happy – neither students nor instructors. There is another point to make as well. Most of the ads I’ve seen for firms require a license and experience. There are very few who offer entry level. One reason I’ve heard over and over again is that we don’t want to invest in teaching you – for you to leave. Well then, I suggest that the managers learn how to teach in order to bring their entry level people up to speed faster. Since LA is so broad maybe we should take teaching more seriously but other professions need to teach better too. In conclusion, part of the issue is, in my professional opinion, that college programs and employers go back to school too, and learn “how to” teaching methodologies. LA is a fantastic profession! And, I’ve meet people who would love to do it. We can make it affordable. We can teach better. And, we must. Our planet’s ecological systems might depend on at this point. Thank you for reading this far. I hope it gives everyone some food for though
If landscape architects want to remake the world, we can start by remaking our discipline.
A thought provoking critique of the role Landscape Architects actually play in society versus what they believe they do, this very relevant to the current educational and work crisis that Landscape Architecture faces in South Africa and many other parts the world : Here are few excerpts from the long article, quoted and acknowledged, in the interests of generating a similar discussion in other parts of the world: “Design and the Green New Deal” fromPlaces Journal by Billy Fleming who is the Wilks Family Director for The Ian L. McHarg Center at the University of Pennsylvania Stuart Weitzman School of Design.
Aa Dr, Ida Breed, senior lecturer at the University of Pretoria where the undergraduate Landscape Architecture program has been terminated due to poor enrolment numbers, says in a private correspondence: ” I think the article is very right in the money to say that the profession is mostly dominated by neoliberal and elitist project briefs, yet, landscape architects are often very bad at showing what they are already doing. Relevant work is happening, but as we know we are low in numbers, and there is a need for more volunteers and more participation from industry and practitioners in work that does not only profit our/ themselves… More could be done!”
“It is the main duty of government, if it is not the sole duty, to provide the means of protection for all its citizens in the pursuit of happiness against the obstacles, otherwise insurmountable, which the selfishness of individuals or combinations of individuals is liable to interpose to that pursuit.” 25 Frederick Law Olmstead
I don’t know when the myth of landscape architects as climate saviors began, but I know it’s time to kill it. The New Landscape Declaration — a book emerging from a 2016 summit attended by the brightest thinkers in our field — frames landscape architecture as an “ever more urgent necessity,” if not the foundation of civil society. As engineers shaped the built environment of the 19th century and architects the 20th, landscape architects have claimed this century as their own. 1 That’s a bold statement for an obscure profession whose 15,000 U.S. members spend most of their time designing small parks, office courtyards, and residential projects for private clients. Yet it’s not just landscape architects who see a big future for the field. Famed industrial designer Dieter Rams has said that if he were starting his career today, he’d focus on landscapes, not machines. And public officials have recruited landscape architects to the front lines of urban development (as James Corner’s High Line and Thomas Woltz’s Public Square frame Hudson Yards) and climate resilience (as the federal program Rebuild by Design ties hurricane recovery to coastal defense). 2
I don’t know when the myth of landscape architects as climate saviors began, but I know it’s time to kill it.
But if The New Landscape Declaration sought to articulate and elevate our professional ideals, mostly it exposed the gap between rhetoric and reality. The book arrived in fall 2017, a few months after David Wallace-Wells published his alarming article, “The Uninhabitable Earth,” with its memorable opening line quaking, “It is, I promise, worse than you think.” That 7,000-word jeremiad was later expanded into a bestselling book, with acknowledgments thanking the dozens of climate writers, scientists, and activists who informed the author’s research. This is mainstream media’s most comprehensive account of the climate movement, and it contains no mention of work by landscape architects. There is no commentary on Rebuild by Design. It’s as if landscape architecture does not exist. Setting aside the justified critiques of Wallace-Wells’s apocalyptic framing, what does it mean that landscape architects are missing from this prominent book on a topic we claim as our own? Is our discipline a necessity? Are we closing the gap between ideals and practice? We are not, I promise, saving the world. 3
We don’t need playful design proposals; we need high-impact built projects — prototypes for the resilient futures we’ve been promised.
Contemporary practice is focused on sites, not systems; and on elite desires, not public interests. Our work is limited in scale and subordinate to client mandates. Rather than challenging or subverting these core structural constraints, Rebuild merely tweaks the machine of disaster recovery and redevelopment. Such incrementalism has been a key feature of landscape architecture — and much design-based activism — for decades. Though some scholars have credited designers with central roles in social and environmental movements — from the Progressive Era, to the New Deal, to the radical politics of the 1960s and ’70s in America — I would argue that that landscape architects rarely contributed to the organizing and the politics of those movements. 20 By and large, we have been bystanders to progress, not principal actors. If the gap between our ambitions and impact is ever to be narrowed, it won’t be through declarations of our principles. We must rethink how landscape architecture engages with social and political movements.
We seem to have forgotten an important lesson about Olmsted: his eagerness to enter the political arena and challenge the status quo.
ut here again we see designers as participants in, not leaders of, the social movements of their time. In the postwar era, they went through the same cultural realignment as the rest of the country, reorienting away from public works and land conservation and toward greenfield development and roadside parks, away from cities and toward suburbs. Landscape designers also made what was in retrospect the fatal mistake of lending their technical skills to urban renewal programs that reinforced racial segregation. 27 When the backlash to urban renewal began — sparked by Jane Jacobs’s The Death and Life of Great American Cities — planners and designers lost much of their access to large-scale projects, and those who still worked for public agencies saw their power diminished. As Thomas Campanella argues, they became professional caretakers, “reactive rather than proactive, corrective instead of preemptive, rule bound and hamstrung and anything but visionary.” 28
The environmental movement galvanized by Rachel Carson’s Silent Spring achieved great success in regulating pollution — influencing the passage of the National Environmental Policy Act (1970), the Clean Water Act (1972), and the creation of the Environmental Protection Agency — but it was less successful in compelling a truly sustainable program of land use. Put another way, it had tremendous influence over how we live, but almost none over where we live. It was in this era that Ian McHarg produced the seminal work that would make him the most consequential landscape architect of the last half century. McHarg was a singular figure in the field, a public intellectual who mixed with people like Margaret Mead, Julian Huxley, and Loren Eiseley, moving between academia (as chair of landscape architecture at Penn), government (as an adviser to White House commissions, task forces, and environmental policy boards), and popular media (as host of the CBS show The House We Live In); and through these activities he sought to place environmental design at the center of American life. He aimed to reinvent nearly everything about the discipline of landscape architecture — its methods of inquiry, its scope and scale of impact, and its cultural and political position. For a brief moment, it seemed he would succeed.
Landscape architects have not yet meaningfully dealt with the unforeseen consequences of McHarg’s rational philosophy; with the fact that his technocratic legacy would leave the field ill-equipped to negotiate the major cultural and political realignments of neoliberalism — the hollowing out of governments at every level, the privatization of public services, and a waning belief in the ability of governments to bring about big, positive change. 34 Beginning in the 1980s, urbanists and designers were forced to defend everything from clean air to mass transit to public education through the narrow lens of cost-benefit analyses. Landscape architecture, a small and client-centric profession, with no real institutional or political presence, was overwhelmed by the rise of an anti-government, anti-science movement amongst conservatives. By the end of the century, landscape architecture had become once again a largely project-driven enterprise, dependent upon the elite, private interests that now shape urbanization, even in ostensibly public spaces. 35
At key political flashpoints of the past decade — Occupy Wall Street, the Standing Rock protests, and, now, the Green New Deal — landscape architects have been conspicuously absent. Our field has responded to neoliberalism with ever larger global corporate practices, a proliferation of boutique design firms, and a retreat from public service. We have ceded most government work to engineers. Professional societies have further depoliticized the field, ensuring that landscape architects are locked out of the policymaking process and constrained by the limits it imposes. 36
The revival of an activist federal design bureaucracy is necessary to the success of a Green New Deal. It also presents a unique opportunity to create alternative models of practice in landscape architecture.
That means our professional societies need to find ways to train a rising generation of landscape architects for careers in public service — or, as the organizers behind The Architecture Lobby have shown us, we will need to build new institutions. Starting tomorrow, the ASLA and Landscape Architecture Foundation could offer awards and fellowships for designers engaged in bureaucratic and political work, as they do for excellence in private practice. They could make the case that truly public spaces and infrastructures are funded by taxes and run by governments, not by corporate partners or the donor class. We need to dismantle the philosophies of neoliberalism and philanthrocapitalism that underwrite many urban development projects, and withdraw support for disruptive urban tech startups. As Levinson writes, “not only are the self-appointed change agents unwilling to push for meaningful action that might threaten the systems that have allowed them to accumulate vast wealth; often as not they’ve caused or contributed to the very problems they are claiming to solve. The modus operandi is not structural reform but personal generosity. The arena is not electoral politics but the free market. The ethos is patronage and volunteerism.” 45 Too many leaders in our field occupy positions of incredible power and prestige, while maintaining that they must make the best of a bad system. But we cannot be content with merely narrowing the gap between our ideals and our reality. The politics of design belong at the center of landscape architecture, and our institutions have an obligation to do more.
We need to train a rising generation of landscape architects for careers in public service. Students will need coursework in public administration and finance, political theory, and community organizing.
Educators, too, have a unique responsibility to change the culture of the profession. The students who wish to fill the ranks of the new design bureaucracy need coursework in public administration and finance, political theory, and community organizing. We can offer scholarships and awards for public-interest achievement, and give internship credit for working with political campaigns or community organizations. And we can acknowledge — through our public programs, our scholarship, and other aspects of design education outside the studio — the extraordinary moment we are in, our complicity in creating it, and our responsibility to develop alternatives.
Whatever form the Green New Deal eventually takes, it will be realized and understood through buildings, landscapes, and other public works. Landscape architects have knowledge and skills — from ecological management to systems analysis to mapping and visualization — that are essential to that project. Now is our chance to re-institutionalize design expertise in government and, at the same time, to break the stranglehold of neoliberalism that has long undermined the ambitions of landscape architecture. Let’s get started. 46
Jason King of landscape+urbanism has posted another insightful and topical examination of the implication of the latest IPCC report on global warming and particularly what is means as a landscape architect to be able to do something ..walk the talk or just understand it at least – the extract I have chosen her is relevant to my previous post of becoming CO2+ – bu toy can read the fullest on Jason’s blog here
The background is:
The connection to the science is vital to and expanded knowledge of climate change, as I mentioned in the post on the Foundations of Climate Change Inquiry. One of those foundations mentioned is the work of the Intergovernmental Panel on Climate Change, which is the body of the United Nations focusing on the global science and impacts related to climate change. Their October 2018 IPCC Special Report focuses on “the impacts of global warming of 1.5°C above pre-industrial levels and related global green house gas emission pathways, in the context of strengthening the global response to the threat of climate change, sustainable development, and efforts to eradicate poverty.”
Likely some of us like to skip all the doom and science stuff and get to what we can do – don’t forget to read Jasons intro though….
The wide array of options for mitigation are collectively referred to as “system transformations”, as I mentioned, interesting as they include a number of landscape-specific ideas. And, based on the dire predictions of our available remaining carbon budget, reductions alone will not suffice to get us to levels that can keep warming at 1.5°C or even 2°C, especially without overshoot. Per section C.2 we require:
“…rapid and far-reaching transitions in energy, land, urban and infrastructure (including transport and buildings), and industrial systems. These system transitions are unprecedented in terms of scale, but not necessarily in terms of speed, and imply deep emissions reductions in all sectors, a wide portfolio of mitigation options and a significant upscaling of investments in those options.”
As I mentioned, efficiency is one aspect, and a combination of new and existing technologies are needed, including “electrification, hydrogen, sustainable bio-based feedstocks, product substitution, and carbon capture, utilization and storage (CCUS)”, to name but a few. I think of the book Drawdown as a good snapshot of many of these strategies and their potential. However, as mentioned, while these are technically proven at a number of scales, large-scale deployment of these is constrained, and often has trade-offs with other strategies.
We also need changes in systems, for instance section C.2.4 mentions urban and infrastructure system transitions, which imply “changes in land and urban planning practices, as well as deeper emissions reductions in transport and buildings…” to get us to these targets. Many of these are not new, but do come with some baggage: “Economic, institutional and socio-cultural barriers may inhibit these urban and infrastructure system transitions, depending on national, regional and local circumstances, capabilities and the availability of capital.”
The final section does present some interesting options, specific to CO2removal, which are collectively referred to as CDR for “carbon dioxide removal” which range in potential. These include:
afforestation and reforestation
land restoration and soil carbon sequestration
bioenergy with carbon capture and storage (BECCS)
direct air carbon capture and storage (DACCS)
enhanced weathering and ocean alkanlinization
Two mentioned previously have some huge potential. For instance BECCS can capture up to 5 gigatons of CO2 per year, and afforestation an additional 3.6 gigatons of CO2 per year. As we find out more about the potential we can employ these strategies at larger scales, however there are trade-offs, such as the competition with other land use (for instance agriculture for food production) and the need to protect valuable ecosystem resources. One strategies mentioned is to use multiple, small installations, versus massive projects, to spread out impacts.
Related specifically to landscape systems, the connection to ecosystem services is highlighted with the multi-functional benefits, as mentioned in section C.3.5. The use of Agriculture, Forestry and Other Land Use (AFOLU) measures for CDR, have a number of co-benefits, such as restoration of natural ecosystems providing additional soil carbon sequestration, increased biodiversity, soil quality, and food security, if managed sustainably.
We are the microbial systems and live in a microbial world, our survival as individuals, communities and as a species depend on it ! In the movie “War of The Worlds”, Steven Spielberg attributed the success of humans in surviving the aliens invasion, to our immune systems evolutionary adaptation to withstand our microbial environment. Heres a look at how this could impact our design thinking from The Dirt
Humans are essentially super-organisms or holobionts made up of both human cells and those of micro-organisms, such as viruses, bacteria, archea, protists, and fungi. Researchers now know the human body hosts a comprehensive ecosystem, largely established by age three, in which non-human cells vastly outnumber human cells. The latest study from the American Academy of Microbiology estimates each human ecosystem contains around 100 trillion cells of micro-organisms and just 37 trillion human cells.
But while rainforest or prairie ecosystems are now well-understood, the human ecosystem is less so. As researchers make new discoveries, there is a growing group of scientists who argue our microbiomes are deeply connected with our physical and mental health. The increased number of prebiotics and probiotics supplements on the shelf in drug stores and supermarkets, and availability of fresh pickles and kimchi in local farmers markets, are perhaps testaments to this increasingly-widespread belief.
The incredible increase of allergies among Western populations may be caused by our “sterile, germ-free environments” that cause our immune systems to over-react to everything from nuts to mold and pollen. Dr. Brett Finlay and Marie-Claire Arrieta even wrote a book exploring this: Let Them Eat Dirt: Saving Your Child from an Over-sanitized World.
Wener said we have created cities that reflect our fear of bacteria; instead we must create microbial-inclusive cities that improve our health. “Most microbes in our bodies have co-evolved with us. They are important to our vital functions. The future of urban planning and design should support healthy microbes.”
As part of this vision, landscape architects could design parks and plazas to be filled with accessible garden plots and soil-based play areas that let both adults and kids get dirty. We could design for holobionts instead of just people, boosting the health of the collective urban microbiome in the process.
The ASLA Discover Landscape Architecture Activity Books are for anyone interested in landscape architecture, architecture, planning, and engineering, and for those who like to draw, doodle, and be inspired. The books’ primary focus is landscape architecture, giving readers the opportunity to see the many drawings, places, and landscapes created by landscape architects.
Take a journey across an imaginary town to learn about the building blocks of landscape architecture. In this activity book, you will learn about landscape architecture, see sketches from landscape architecture professionals, and have the opportunity to sketch and color drawings. This book is geared towards readers 9-12 years old.
Take a journey across the United States to see some of the great places designed by landscape architects. In this activity book, you will learn about landscape architecture, see sketches from landscape architecture professionals, have the opportunity to sketch and color drawings, and problem solve to plan your own projects. This book is geared towards readers 13 years and older.
Share the Books!
Do you have a friend that is interested in landscape architecture? Do your children like the idea of blending art with the environment? Are you a landscape architecture professional visiting a local school and searching for a fun interactive exercise?
Whether you are a kid, teen, parent, teacher, undergraduate student, or landscape architecture professional, there are many ways to share the activity books. To start, share with family, friends, classmates, neighbors, other professionals, and community members.
And don’t forget to share your work. Post your drawings with #ASLAactivitybooks to show the world your creative talents! Stay tuned for future initiatives at ASLA including available copies for distribution and Spanish translated editions.
Design from a Digital Device
Landscape architects create drawings on paper and on digital devices. If you are interested to complete the activity books from your digital device, check out some of the free apps and programs below that include drawing tools.
“Rendering of Houston wetland channel showing ecological wetland, conservation areas, and recreation trails” p. 90-91
An amazing resource posted on ASLA’s The Dirt (here) focuses on Design Guidelines for Urban Wetlands, specifically what shapes are optimal for performance. Using simulations and physical testing to investigate hydraulic performance the team from the Norman B. Leventhal Center for Advanced Urbanism (LCAU) at MIT. Led by Heidi Nepf, Alan Berger and Celina Balderas Guzman along with a team including Tyler Swingle, Waishan Qiu, Manoel Xavier, Samantha Cohen, and Jonah Susskind, the project aims to have a practice application in design guidance informed by research. From their site:
“Although constructed wetlands and detention basins have been built for stormwater management for a long time, their design has been largely driven by hydrologic performance. Bringing together fluid dynamics, landscape architecture, and urban planning, this research project explored how these natural treatment systems can be designed as multi-functional urban infrastructure to manage flooding, improve water quality, enhance biodiversity, and create amenities in cities.”
Starting in the beginning by outlining ‘The Stormwater Imperative’, the above goal is explained in more depth, and issues with how we’ve tackled these problems are also discussed, such as civil-focused problem solving or lack of scalability, but also explore the potential for how, through intentional design, these systems “can create novel urban ecosystems that offer recreation, aesthetic, and ecological benefits.” (1)
The evolution that has resulted in destruction of wetlands through urbanization, coupled with deficient infrastructure leads to issues like flooding, water pollution due to the loss of the natural holding and filtering capacity of these systems and the increased flows. However, as pointed out by the authors, this can be an opportunity, as constructed wetlands “can partially restore some lost ecosystem services, especially in locations where wetlands do not currently exist.” (5)
The modeled flow patterns are also interesting, showing the differentiation from fast, regular, slow flows, along with any Eddy’s that were shown in dye testing using the flumes.
Check it out and see what you think. The report is available as a online version via ISSUU or via PDF download from the LCAU site, where there are also some additional resources. All images in this post are from these reports and should be credited to the LCAU team.
By Timothy Brown Principal at Traverse Landscape Architects
As a landscape architect, my experience has often been that we are brought in late on a project to “shrub it up”. The most unfortunate part about this is that owners and developers are being deprived of the chance to have a much richer and more significant project.
Below I offer eleven reasons why landscape design should be considered and landscape architects should be included throughout the project development process.
1. The landscape is the warp and weft which can weave a disparate collection of buildings into a cohesive city, community or campus.
2. Whether they are biking, walking or driving, people most often experience a place from ground level, and landscape provides the interest and impetus which inspires people to return in order to spend time in a place.
3. Vibrant native plantings, flexible plaza spaces, legible and convenient pathways and wayfinding provide a framework within which critical placemaking events can happen, contributing to the overall success of a place
4. Landscape architects are often the keepers of a holistic vision and balance on a project, reconciling the sometimes conflicting design aspirations of architects, engineers, owners and developers.
5. Landscape touches every component of a development project and is a major factor inspiring people to live in a place or return as a visitor.
6. As this article from Time Magazine asserts, access to high-quality green spaces and nature makes people happier, improves physical and mental health and improves our overall sense of well-being. (Also See: WHO)
7. Well-designed landscapes, especially in neighborhoods and on campuses, contribute to an overall sense of well-being by providing places for people to meet up for a walk, for collaboration or to just chat. People places are successful places.
8. Well-designed landscapes provide a myriad of ecosystem services, not the least of which include groundwater recharge, habitat creation, and mitigation of urban heat island impacts.
9. Using vernacular materials in innovative ways, referencing natural landscapes with native plantings and providing places for people to gather, recreate and relax are just a few ways that well-designed landscapes contribute to a culturally impactful and potent sense of place.
10. Landscape architects are trained to look closely at all the existing conditions of a site. The inclusion of landscape architects from the beginning of the process can avoid costly mistakes down the road and ensure the preservation of historically important vegetation and site artifacts.
11. Well-designed landscapes bring people closer to the places where they live work and play, giving them a place to dwell, promoting stewardship and inspiring advocacy.
These are just a few of the many reasons landscape architects should be an integral member of the development team starting from project conception.
The role of advocacy and political engagement here espoused by ASLA in the USA is as needed in South Africa, where the demands and needs of the needy poor is sidelined by the greed of the avaricious in business and politics. Posted by Jonathon Geels on Land8
“When people think about what influences elected officials, nine times out of ten their first thought is money… Clearly, skepticism reigns supreme when it comes to our views of how to influence a policymaker.” – Stephanie Vance, “Citizens in Action”
Despite being “for the people, by the people,” our representative democracy can seem distant. It can appear inaccessible and elitist, particularly when sensationalized by the “yellow journalism” of contemporary news media. Lobbying, and by extension advocacy, further brings to mind a hidden element of governance. Because of that, they are both practically four letter words. While this presidential election cycle has brought to the forefront the concept of politicians being “bought” by powerful lobbies, simply viewing government as a trade deal undermines the value of advocacy and professional lobbying.
I attended my first ASLA Advocacy Summit with a similar perspective and with a far greater understanding of the concurrent Awareness Summit. At the same time, I approached the event both grateful for being there and committed to gleaming every ounce of value out of the experience for the chapter I represented*. Of the dual arms of chapter outreach, Awareness (Public Relations) is sexy and glam; who doesn’t want their picture on television? Advocacy, because of the distance of government, lacks the same initial luster. Even as I listened to a professional lobbyist describe the services that he offered the society, I still had misgivings. As he outlined case studies in landscape architecture licensure battles that had littered the ground of advocacy for the society in recent years, I was unconvinced. In a state that seemingly had a shield to any licensure attacks – Indiana has a combined board with the architects who were not likely to come under any sunset issues – it was hard to reconcile the cost of lobbying. Despite the need for vigilance, the issue of licensure did not have the same sense of urgency in my state as with other chapters. Without the urgency, advocacy remained a back-burner issue, especially compared to the draw of World Landscape Architecture Month or the need for continuing education credits and networking value of the state’s Annual Meeting.
As the presenter shifted to outline the tangent benefits of advocacy and lobbying, one line was burned into my mind: “Raising the profile of the profession.” That even without a specific “ask” or dramatic need, landscape architects would benefit from engaging policymakers if for no other reason than to make the profession more prominent in the eyes of those individuals who controlled much of the direction of the built environment through the allocation of funds or the implementation of guiding policies. This was a seminal moment for me and one that changed the way that I viewed professional practice. I began to see advocacy as a partner to awareness and public relations. At the same time, I began to view Government Affairs as the natural progression in the pursuit to work as a landscape architect. It’s a complicated feeling to watch the built environment evolve, knowing that your own involvement could improve the quality of place or positively contribute to changing public health, safety, and welfare. This was a moment of clarity, like Neo seeing the Matrix for the first time. Everything was different. I was already aware of the problems that plague the profession – lack of understanding, vague licensure laws, engineering bias; finding problems to solve is easy. Inherently, landscape architects also know that layering in solutions to the problems would produce systemic benefit. But it was through advocacy to local, state, and federal policymakers that landscape architects would have the opportunity to be a constant part of the conversation. Through better advocacy, landscape architecture can become a baseline expectation, not just an add-on or luxury component or easy to value-engineer out.
By Richard Weller and Billy Fleming, University of Pennsylvania on LAF Blog
In 1966, Campbell Miller, Grady Clay, Ian McHarg, Charles Hammond, George Patton and John Simonds marched to the steps of Independence Hall in Philadelphia and declared that an age of environmental crisis was upon us and that the profession of landscape architecture was a key to solving it. Their Declaration of Concern launched, and to this day underpins the workings of, the Landscape Architecture Foundation (LAF).
To mark its 50th anniversary, LAF will hold a summit titled The New Landscape Declaration at the University of Pennsylvania involving over 65 leading landscape architects from around the world. Delegates are being asked to deliver new declarations (manifestos, if you will) about the profession’s future. Drawing upon these statements and the dialogue at the summit, LAF will then redraft the original 1966 Declaration of Concern so that it serves to guide the profession into the 21st century.
On one level, redrafting the declaration is relatively straightforward: it would simply need to stress the twinned global phenomena of climate change and global urbanization — issues that were less well understood in 1966. On another level however, the redrafting of the declaration is profoundly complicated because if it is to be taken seriously, then a prerequisite is to ask why, after 50 years of asserting landscape architecture as “a key” to “solving the environmental crisis” does that crisis continue largely unabated? Seen in this light the declaration can be read as an admission of failure. Consequently, we must ask:
If McHarg and his colleagues were justified in placing such a tremendous responsibility on the shoulders of landscape architects, why have we failed so spectacularly to live up to their challenge?
In our defense, we might argue that landscape architecture is a very young and very small profession and an even smaller academy. We can also protest, as many do, that other more established disciplines — such as engineering and architecture — have restrained our rise to environmental leadership. We can argue that the status quo of political decision-making makes it impossible for us to meaningfully scale up our operations and work in the territory where our services are needed most. These justifications (or excuses) all contain aspects of the truth, but we argue that landscape architecture over the last 50 years is less a story of abject failure and more one of a discipline taking the time that has been needed to prepare for a more significant role in this, the 21st century.
From the last 50 years of landscape architecture we have three models of professional identity and scope: the landscape architect as artist (for example, Peter Walker), the landscape architect as regional planner (for example, Ian McHarg), and the landscape architect as urban designer (for example, Charles Waldheim). Rather than see these as competing models cancelling each other out, perhaps what we have really learned from the last 50 years is that each is somewhat incomplete without the other. If however we make a concerted effort to combine these three models, then perhaps we begin to really give credence to the notion of landscape architecture as a uniquely holistic discipline, one especially well-suited to engage with the contemporary landscape of planetary urbanization and climate change.