Richard Sennet: The stupefying smart city

From the Urban Age Electric City Conference Richard Sennet’s talk on the different ways a “Smart City” might be performed gives forth alternative ways technology might in fact make opportunities for citizens and participants to create the city rather have it developed “top-down” by architects and bureaucrats, this despite the on-going concern that  through the pervasive surveillance and exclusion that the technologies of the Smart City entail in reducing diversity  and creating boring placeless public space. As Sennet has repeatedly  voiced his views that it  is diversity and openness that create opportunity – see for example WHY COMPLEXITY IMPROVES THE QUALITY OF CITY  LIFE

Throughout the history of technology, new tools have come into being before people know how to use them well. This is the problem we face with today’s new ‘smart city’ tools – the CCTV cameras, motion sensors, and computers capable of processing immense amounts of data. The problem is in a way understandable. It takes a long time and much experiment, entailing failure as well as success, to plumb a tool’s possibilities. This was the case, for instance, of the hardened-edge scalpel, which appeared in the sixteenth century: surgeons required nearly a century to figure out best practices and innovative operations with a super sharp knife. But tools for the smart city come with a sting in the tail. Their application can inhibit experiment by ordinary urbanites in their everyday lives. A large city can be thought of as a complex organism whose innards do not work perfectly in sync, whose parts do not add up to a unified whole. Yet there is something valuable just about these dissonances. They can create opportunities economically, when someone seizes on a market irregularity, while lack of coherent control enables personal liberty, and disorder might make subjective experience rich and multi-layered – at least novelists from Defoe to Proust hoped so. To take advantage of these possibilities, the big city needs to be learnt. The risk is that new technologies might repress the inductive and deductive processes people use to make sense, for themselves, of the complex conditions in which they live. The smart city would then become a stupefying smart city. When a new tool proves deadening rather than liberating in use, our first instinct may be to blame the machine itself. That is what Lyon’s silk weavers in the eighteenth century did; they attacked mechanised looms as ‘perfidious works of the devil’. Instead of blaming the machine, we want to ask how the new urban technologies can be used more intelligently – which is more a question about urban planning and vision than about machinery. What kinds of urban design empower people in the street to experiment with their behaviour, and to draw their own conclusions from those experiments? In the 1930s, urbanists like the American Lewis Mumford and architects like the Swiss Sigfried Giedion worried about machines and materials in relation to urban design. Mumford challenged the urban planners’ uncritical embrace of the automobile; Giedion attacked the architects’ conservative use of new building materials. Digital technology has shifted the technological focus to information processing. This can occur in handhelds linked to ‘clouds’ or in command and control centres. The issue is: who controls such information and how is this information organised? Which in turn raises new issues of urban design. The questions the technology poses are much more profound than which software to buy. In this light, I want to make first a comparison between designs that create a stupefying smart city and designs that envision a stimulating smart city. By drawing this contrast, a formal issue then appears: that of the difference between a closed and an open system. And a social possibility emerges as well: the use of stimulating, open system technology to render the city more informal. My own comments here draw on a decade of research done by Urban Age on the visual and social conditions that can enable urbanites to take ownership over their lives.

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How Much Does Your Building Weigh, Mr. Foster?

Found on  by Dogwoof Documentary

The film traces the rise of one of the world’s premier architects, Norman Foster and his unending quest to improve the quality of life through design.

Portrayed are Foster’s origins and how his dreams and influences inspired the design of emblematic projects such as the largest building in the world Beijing Airport, the Reichstag, the Hearst Building in New York and works such as the tallest bridge ever in Millau France. In the very near future, the majority of mankind will abandon the countryside and live entirely in cities. Foster offers some striking solutions to the problems that this historic event will create. Continue reading